Broadcasting Press Guild Awards 2019 Winners

The full list of BPG TV and Radio Awards winners is:

Best Single Drama/Mini-series
A Very English Scandal
A Blueprint Pictures production for the BBC and Amazon Studios

Best Drama Series
Killing Eve
A Sid Gentle Films Ltd production for BBC America, internationally distributed by Endeavor Content      

Best Single Documentary
Grenfell
A Minnow Films production for BBC One

Best Documentary Series
Stephen: The Murder that Changed a Nation
An On the Corner production, in association with Rogan Productions, for BBC One

Best Entertainment
Mortimer & Whitehouse: Gone Fishing
An Owl Power TV production for BBC Two

Best Online First/ Streaming
Killing Eve
A Sid Gentle Films Ltd production for BBC America, internationally distributed by Endeavor Content and first streamed in UK on BBC Three as a box set on BBC iPlayer

Best Comedy 
Derry Girls
A Hat Trick Productions production for Channel 4

Best of Multichannel 
Patrick Melrose
A Two Cities production in association with Sunnymarch and Little Island for Sky Atlantic and Showtime

Radio Broadcaster of the Year
Lauren Laverne
BBC Radio 6 Music, Late Night Woman’s Hour and Desert Island Discs, BBC Radio 4

Radio Programme of the Year
Tara and George
A Falling Tree Productions production for BBC Radio 4

Podcast of the Year
Hip Hop Saved My Life – Romesh Ranganathan
Ranga Bee Productions

Best Actor
Hugh Grant for A Very English Scandal (BBC One)

Best Actress
Jodie Comer for Killing Eve (BBC America)

Best Writer
Russell T Davies for A Very English Scandal (BBC One)

Innovation Award

Black Mirror: Bandersnatch, for a ground-breaking form of storytelling.
A House of Tomorrow production for Netflix

Breakthrough Award
Alex Scott
Sports broadcaster for BBC and Sky

BPG Chairman’s Prize
Big Brother
EndemolShine Group for Channel 4 and Channel 5

Harvey Lee Award
Nicholas Parsons CBE
Actor, presenter & game show host, in particular, recognition of more than 50 years of presenting Radio 4’s Just A Minute.

Exclusive Winners Interviews Below:

Captain Marvel Review

The Plot

The Marvel Cinematic Universe bring its first female fronted superhero movie to the franchise with this 90s set sci-fi romp that sees Carol Danvers (Brie Larson) try to regain her memory with the help of a young Nick Fury (Samuel L Jackson)

The Good

It’s obvious to anyone with even the slightest knowledge of comic book movies that Marvel Studios has been a hell of a long time coming. Even the DC Extended Universe managed to get there first with Wonder Woman nearly 2 years earlier despite the MCU’s 5 year head start in the connected universe race if you will.

With such anticipation surrounding the film it’s refreshing to see that the protagonists gender is never made as important a part of the film as fans have been (arguably rightly) making it to be. While it worked for Wonder Woman’s WWI setting to repeat it here in the 90s just wouldn’t work as well.

Having last seen the world left half in ashes by Thanos in Avengers Infinity WarCaptain Marvel bridges the gap to Endgame by jumping back 20 years to finally introduce Brie Larson’s Carol Danvers and it’s far from simple. Landing us into the middle of a hitherto unexplained alien world, directors Anna Boden and Ryan Fleck don’t make it too easy to allow the audience into the life of Danvers, or Vers as she’s known to begin with.

Before too long the 90s nostalgia is peppered in as Danvers crashes through the roof of a Blockbusters (remember those!) and soon runs into a young Nick Fury with two eyes! Fortunately there’s no Hot Tub Time Machine style repeat joke of wondering when will be the moment he loses use of it. That didn’t stop this critic from wondering throughout though!

Brie Larson wastes no time in winning us over and is simply a delight to watch from the very opening. Having been named the MCU’s strongest character by a country mile, Larson has no trouble at all holding that title. Even as Danvers goes through the oft-treaded origin story of finding one’s self it’s easy to see just how strong she is and how inevitably instrumental she will be in Endgame.

What Boden and Fleck manage to do best in Captain Marvel however is in their use of the films villains, the Skrulls. A race of aliens that are able to change form into whoever and whatever they like, leaving the plot to twist and turn at points but never making you overly cautious at each character that comes on screen. The idea is never overplayed nor underplayed but it does bring forward questions regarding the last decade of MCU films. Surely no one is to be trusted now the Skrulls are involved and arguably have been since the 90s…

The Bad

One of the major downsides to Captain Marvel is it’s timing in regards to Marvel Studios releases. Arriving just in time to bridge the gap between Infinity War and Endgame is both its blessing and its curse. With the conclusion so close it’s hard to start watching Captain Marvel without constantly wondering how it all feeds into the larger story. Without giving too much away, it feels ultimately that had the release schedule been switched around a bit it could have helped.

Meanwhile, Captain Marvel’s unquestionable strength ultimately becomes one of her biggest weaknesses. By it’s third act set pieces, Carol Danvers slips into Superman territory in the fact that she’s so incredibly powerful that nothing feels like a threat to her. It’s a problem Supes has always had for this critic at least and now it seems that it’s a problem Captain Marvel has too. Frankly if she were to swoop into Avengers: Endgame and undo all of Thanos’ work with a snap of her fingers it wouldn’t be at all surprising. Perhaps if the inevitable switch between rediscovering Carol Danvers to discovering Captain Marvel hadn’t been so instantaneous it may have worked better.

The Ugly Truth

For the most part, Brie Larson is a welcome entry to the MCU, with a solo outing that doesn’t try to make too big a deal out of it’s much discussed gender politics. However, impressive though Captain Marvel’s strength may be, it ultimately becomes her downfall by the film’s closing act. Also it’s worth noting that you’ll never look at your cat the same way after you’ve met Goose…

Review By Johnny Ellis

What’s On Stage Awards 2019 Winners

Hamilton was the biggest winner at the What’s On Stage Awards, taking home five prizes on Sunday night. This included best actor in a musical for its star Jamael Westman and best supporting actor in a musical for Jason Pennycooke. Little Shop of Horrors and Heathers the Musical also took home several awards each at the London ceremony.

Sophie Okonedo and Aidan Turner won best actress and best actor in a play – Okonedo for Antony and Cleopatra at the National Theatre and Turner for Michael Grandage’s production of The Lieutenant of Inishmore.

Best new musical went to instant classic darkly comedy production of  Heathers, with West End superstar Carrie Hope Fletcher winning best actress in a musical for her role as Veronica Sawyer.
Full List of Winners Below:

Best actor in a play – Aidan Turner, The Lieutenant of Inishmore

Best actress in a play – Sophie Okonedo, Antony and Cleopatra

Best actor in a musical – Jamael Westman, Hamilton

Best actress in a musical – Carrie Hope Fletcher, Heathers the Musical

Best supporting actor in a play – Adrian Scarborough, The Madness of George III

Best supporting actress in a play – Vanessa Redgrave, The Inheritance

Best supporting actor in a musical – Jason Pennycooke, Hamilton

Best supporting actress in a musical – Patti LuPone, Company

Best new play – The Inheritance

Best new musical – Heathers the Musical

Best play revival – The Madness of George III

Best musical revival – Little Shop of Horrors

Best direction – Marianne Elliott, Company

Best choreography – Andy Blankenbuehler, Hamilton

Best costume design – Paul Tazewell, Hamilton

Best set design – Tom Scutt, Little Shop of Horrors

Best lighting design – Howell Binkley, Hamilton

Best video design – Terry Scruby, Chess

Best off-West End production – Six the Musical

Best regional production – Spring Awakening

Best original cast recording – Everybody’s Talking about Jamie

Best show poster – Little Shop of Horrors

Best West End show – Les Miserables

Oscar 2019 Winners List

Here’s a full list of winners in all categories at the 2019 Academy Awards. This year’s Oscars saw top acting prizes claimed by Rami Malek  and Olivia Coleman with supporting wins for Mahershala Ali and Regina King. Best film went to Green Book with Roma taking the foreign language prize, Free Solo winning best documentary and Spider-man into the Spiderverse winning best animated film. Best director was won by Alfonso Cuaron. Full list of winners below:

Best picture

  • Winner: Green Book
  • BlacKkKlansman
  • Black Panther
  • Bohemian Rhapsody
  • The Favourite
  • Roma
  • A Star Is Born
  • Vice

Best actress

  • Winner: Olivia Colman – The Favourite
  • Glenn Close – The Wife
  • Yalitza Aparicio – Roma
  • Lady Gaga – A Star Is Born
  • Melissa McCarthy – Can You Ever Forgive Me?

Best actor

  • Winner: Rami Malek – Bohemian Rhapsody
  • Christian Bale – Vice
  • Bradley Cooper – A Star Is Born
  • Willem Dafoe – At Eternity’s Gate
  • Viggo Mortensen – Green Book

Best supporting actress

  • Winner: Regina King – If Beale Street Could Talk
  • Amy Adams – Vice
  • Marina de Tavira – Roma
  • Emma Stone – The Favourite
  • Rachel Weisz – The Favourite

Best supporting actor

  • Winner: Mahershala Ali – Green Book
  • Adam Driver – BlacKkKlansman
  • Sam Elliott – A Star Is Born
  • Richard E Grant – Can You Ever Forgive Me?
  • Sam Rockwell – Vice

Best director

  • Winner: Alfonso Cuaron – Roma
  • Yorgos Lanthimos – The Favourite
  • Spike Lee – BlacKkKlansman
  • Adam McKay – Vice
  • Pawel Pawlikowski – Cold War

Best original screenplay

  • Winner: Green Book – Nick Vallelonga, Brian Currie and Peter Farrelly
  • The Favourite – Deborah Davis and Tony McNamara
  • First Reformed – Paul Schrader
  • Roma – Alfonso Cuarón
  • Vice – Adam McKay

Best adapted screenplay

  • Winner: BlacKkKlansman – Charlie Wachtel, David Rabinowitz, Kevin Willmott and Spike Lee
  • The Ballad of Buster Scruggs – Joel Coen and Ethan Coen
  • Can You Ever Forgive Me? – Nicole Holofcener and Jeff Whitty
  • If Beale Street Could Talk – Barry Jenkins
  • A Star Is Born – Eric Roth, Bradley Cooper and Will Fetters

Best animated feature

  • Winner: Spider-Man: Into the Spider-Verse
  • Incredibles 2
  • Isle of Dogs
  • Mirai
  • Ralph Breaks the Internet

Best foreign language film

  • Winner: Roma – Mexico
  • Capernaum – Lebanon
  • Cold War – Poland
  • Never Look Away – Germany
  • Shoplifters – Japan

Best documentary feature

  • Winner: Free Solo
  • Hale County This Morning, This Evening
  • Minding the Gap
  • Of Fathers and Sons
  • RBG

Best original song

  • Winner: Shallow (A Star Is Born) – Lady Gaga, Mark Ronson, Anthony Rossomando and Andrew Wyatt
  • All The Stars (Black Panther) – Mark Spears, Kendrick Lamar, Duckworth and Anthony Tiffith and Solana Rowe
  • I’ll Fight (RGB) – Diane Warren
  • The Place Where Lost Things Go (Mary Poppins Returns) – Marc Shaiman and Scott Wittman
  • When A Cowboy Trades His Spurs for Wings (The Ballad of Buster Scruggs) – David Rawlings and Gillian Welch

Best original score

  • Winner: Black Panther – Ludwig Goransson
  • BlacKkKlansman – Terence Blanchard
  • If Beale Street Could Talk – Nicholas Britell
  • Isle of Dogs – Alexandre Desplat
  • Mary Poppins Returns – Marc Shaiman, Scott Wittman

Best production design

  • Winner: Black Panther – Hannah Beachler and Jay Hart
  • The Favourite – Fiona Crombie and Alice Felton
  • First Man – Nathan Crowley and Kathy Lucas
  • Mary Poppins Returns – John Myhre and Gordon Sim
  • Roma – Eugenio Caballero and Barbara Enriquez

Best costume design

  • Winner: Black Panther – Ruth E Carter
  • The Ballad of Buster Scruggs – Mary Zophres
  • The Favourite – Sandy Powell
  • Mary Poppins Returns – Sandy Powell
  • Mary Queen of Scots – Alexandra Byrne

Best cinematography

  • Winner: Roma – Alfonso Cuaron
  • Cold War – Lukasz Zal
  • The Favourite – Robbie Ryan
  • Never Look Away – Caleb Deschanel
  • A Star Is Born – Matthew Libatique

Best visual effects

  • Winner: First Man – Paul Lambert, Ian Hunter, Tristan Myles and JD Schwalm
  • Avengers: Infinity War – Dan DeLeeuw, Kelly Port, Russell Earl and Dan Sudick
  • Christopher Robin – Christopher Lawrence, Michael Eames, Theo Jones and Chris Corbould
  • Ready Player One – Roger Guyett, Grady Cofer, Matthew E Butler and David Shirk
  • Solo: A Star Wars Story – Rob Bredow, Patrick Tubach, Neal Scanlan and Dominic Tuohy

Best make-up and hairstyling

  • Winner: Vice – Greg Cannom, Kate Biscoe and Patricia DeHaney
  • Border – Goran Lundstrom and Pamela Goldammer
  • Mary Queen of Scots – Jenny Shircore, Marc Pilcher and Jessica Brooks

Best sound editing

  • Winner: Bohemian Rhapsody – John Warhurst and Nina Hartstone
  • Black Panther – Benjamin A Burtt and Steve Boeddeker
  • First Man – Ai-Ling Lee and Mildred Iatrou Morgan
  • A Quiet Place – Ethan Van der Ryn and Erik Aadahl
  • Roma – Sergio Diaz and Skip Lievsay

Best sound mixing

  • Winner: Bohemian Rhapsody – Paul Massey, Tim Cavagin and John Casali
  • Black Panther – Steve Boeddeker, Brandon Proctor and Peter Devlin
  • First Man – Jon Taylor, Frank A Montano, Ai-Ling Lee and Mary H Ellis
  • Roma – Skip Lievsay, Craig Henighan and Jose Antonio Garcia
  • A Star Is Born – Tom Ozanich, Dean Zupancic, Jason Ruder and Steve Morrow

Best film editing

  • Winner: Bohemian Rhapsody – John Ottman
  • BlacKkKlansman – Barry Alexander Brown
  • The Favourite – Yorgos Mavropsaridis
  • Green Book – Patrick J Don Vito
  • Vice – Hank Corwin

Best animated short

  • Winner: Bao
  • Animal Behaviour
  • Late Afternoon
  • One Small Step
  • Weekends

Best documentary short

  • Winner: Period. End of Sentence.
  • Black Sheep
  • End Game
  • Lifeboat
  • A Night at the Garden

Best live action short

  • Winner: Skin
  • Detainment
  • Fauve
  • Marguerite
  • Mother

Capernaum Review

The Plot

After he’s arrested for a stabbing, Zain El Hajj (Zain Al Rafeea) decides to take his parents to court for being born.

The Good

Writer-director Nadine Labaki brings a heart-achingly devastating story to the screen in Capernaum (Chaos), following the tragic life of Zain, a Lebanese boy who doesn’t even know how old he actually is. Opening with his arrest for stabbing a ‘son-of-a-bitch’ as Zain puts it, Labaki’s script – co-written by Jihad Hojaily and Michelle Keserwany – quickly flashes back to go through the events that lead up to Zain’s arrest and his relationship with his parents whom he is suing at the same time.

For the next two hours Labaki displays a gut-wrenching tale that is as hard to watch as it is to turn away from. As Zain tries desperately to protect his younger sister from being married off to the family’s landlord/human trafficker when her period begins, he soon becomes estranged as he sets out to make a life for himself.

One of the most effective ways in which the story is told is through Labaki’s directing. As we follow Zain’s journey from his family to Ethiopian cleaner Rahil (Yordanos Shiferaw) and her young son whom Zain helps to look after. Labaki’s framing feels restricted at times, pulling back to let you watch but making you ache even more to crawl into the screen and help our young characters out.

While the plot is fictional the premise feels so based in fact that, despite the depressing two hour journey you’re taken on, if some biopic-like text were to appear on the screen at the films climax to finish Zain’s story off, it wouldn’t be surprising at all.

The absolute stand-out performances in the film come from the two youngest members of the cast, Zain himself and Boluwatife Treasure Bankole as Rahil’s son Yonas. With a combined age of no more than 15 (Zain being 11 or 12) their performances are so captivatingly realistic and are the heart and soul of the film.

The Bad

If you go into Capernaum expecting a courtroom drama from the plotline you’ll leave dissappointed. While the premise of suing ones parents for the act of giving you life is certainly an intriguing one, the legal ramifications of such a court case are never delved deeply into. Instead Capernaum’s main priority rests upon bringing the undoubtedly real life for poverty stricken children around the world to the screen. That said, no matter what you walk into Capernaum expecting you will definitely leave with the same heavy heart as everyone else.

The Ugly Truth

An unflinchingly depressing film that deserves all the attention it can get. Capernaum will leave you heartbroken and angry but that should not put you off. Without a doubt one of the most important films of the year.

Review By Johnny Ellis